Christ-like

To lead by public opinion poll may be fine for Bill Clinton, but in the church the result (from James 1) is a double-minded man unstable in what he does.  A Disciple leads according to the Word.  (John 8:31-- Jesus says if you continue in my Word, then you really are my Disciples).

A church leader who is swayed by the more vocal gossip in the congregation, and not by any convictions he has from the Word, is that double-minded man.  If you want a large church, sure, you might need to lead by opinion polls.  Leading by the Word, will at times, make you unpopular.  So for the popular-minded-- you'll need to pick and choose which verses are suitable for your personal goals.

Years ago when I was in college, we were working on an evangelistic drama piece.  A church leader didn't like one of the actors.  He said he needed to be more "Christ-like."  Because he believed inaccurate gossip not handled scripturally (Matt 18).  Makes me wonder if he means Christ-like holding a cute little lamb?  Christ-like leaving footprints on the beach?  Christ-like running after the rich young ruler saying "just kidding, you can be my disciple just as you are, no need to change!"

Or could he mean Christ-like where Jesus insulted the gentile woman calling her a dog, or Christ-like looking in the chief disciple eyes and speaking to Satan?  Or Christ-like taking a whip to the money people in the temple? Or Christ-like where he told the rich young ruler what he needs to give up in order to follow Him, and then watched him walk away?

There's a huge disconnect here.  I hope my image of who Jesus is is based on scripture and not on church culture.  Of course, that would mean I'd have to actually read the Bible.

I'm just saying.

Been Away

For a period of time, I wrote this blog fairly regularly-- averaging every other day.  Sometimes as a blogwriter, I wonder what's the point?  Does anyone read them?  I wish I could write with humor and maybe not be so intense.  But that's not who I am.

What has been encouraging is all the emails I've gotten this year from people who have been going back through the archives and reading different entries.  I'm glad for that.  Not sure I'll write with the regularity of the past, but I might not quit cold turkey like I did last December.

I've been working.  Corporate and Commercial work has kicked up.  And suddenly a script I wrote 7 years ago has drawn some new interest.  Perhaps this fall we'll be shooting that movie.

In the meantime, the DSLR craze has renewed my own interest in shooting.  As a Director, more and more over the last decade I've been getting away from actual hands-on shooting.  This season has been one of falling back in love with cinematography.  I've really had a lot of fun going out and shooting the different projects-- be they corporate communications, a commercial spot, or even a music video or two.

I'm in the process of redoing the SFilms website and will probably post more often there on filmmaking techniques, leaving this blog more for the faith-based articles.

Vacation

I have taken a nice vacation from the blog.  With the holidays and work, focus has been elsewhere.  Business has picked up-- been doing more commercial work.  And we're hoping to keep moving forward on the next feature film.  Here's to 2011.

We're in the midst of moving our offices as well.  We're in the Studios121 building in Fort Worth, and are moving our suite to #211.  If you have us in your address book, might be a good time to change our suite number.

In addition to Deadmen's Red and 5D, SFilms has just gotten a 7D DSLR.  Right now, we're doing a corporate film documentary style and enjoying shooting two cameras for it (the 5D along with the 7D).  Perfect for giving edit points on interviews.

We'll probably schedule some more workshops and seminars for February and March.  We have gotten a lot of buzz for the screenfighting and will probably break it down by day-- one day for firearms, one for fighting, etc.  We'll limit the class size to make sure good hands-on time can be had.  More info soon on that.

Screenfighting Details

We're getting closer to this Saturday's Workshop.  It's actually turning out to be one of our most popular ever.  I try to pick subjects that can be of value to actors that will help them get and keep roles.  As I've directed my movies, I've found that many actor's can't throw or receive a punch.  Or they hold a gun goofy.  Or they're afraid of a squib hit and it shows.

So "ta-da."  Screenfighting & SFX for Actors.  We've only got a couple seats remaining as of this posting.  Im going to pull down the registration pretty soon.  If you still see the button, it means you can still register.  It's all at http://www.s-films.com/pov .  Scroll down for the workshop.

Here's our agenda:

The Agenda looks something like this (subject to change):
9:00        Intros and Screenfighting (We will do a quiz early to determine first person to be squibbed)
10:30     Break (2^nd Squibber is picked)
10:45     Screenfighting continues
12:00     Break for lunch – There are fast food places around—specifically a few miles south on 121, exit Beach Street.  Some people in the past have tried for a sit down at one of the restaurants back at the mall (820/183/121 convergence to the north), but everytime, they end up getting back late.
1:00        Start promptly—talk about Weapons with Doug Williams
2:30        Break
2:45        SFX with Steve Krieger (Last person is picked to be a Squibber)
4:30        Squib the lucky three participants
5:00        We’re done



I think it's going to be a lot of fun and I'm looking forward to working with Steve Krieger, Scott Roland and Doug Williams.  I'm sending out an email to all those with confirmed seats.  If you think you are and don't get an email by tomorrow morning, you'd better contact me.

Reviews

I had to laugh.  When I read a recent comment on a site about "The Imposter," I had to just shake my head and chuckle.

I do get asked about how negative reviews and comments make me feel-- or how they affect me.  In the beginning, it was harder-- being a little more unsure (let's call it insecure) of myself as a filmmaker, negative comments found a fertile target.  Some of the more negative and out there were actually easier to ignore and dismiss-- when they attacked me personally, I knew that it had nothing to do with me, but something stirred up the water in their own life.

The ones that picked apart mistakes I was already aware of were of no consequence either.  I knew what they were and I agreed with it.  The hardest comments and reviews were the ones that found mistakes I didn't want to admit.  These I had to chew on for awhile until I realized they were right.

So consequently, reviews/comments don't have as much effect on me today.  I find myself laughing at more of them.  Like the one in question above.

The comment went something like this-- this movie didn't even end, so it doesn't minister.  Like the viral episodic "Jesus People," there are different types of Christians out there.  And when I read that comment, I picture it being written by the uptight, hypocritical pharisee character in that show.  It's funny. 

The person writing this comment is waiting for God to zap people (for good or for punishment).  God to him is a logitician-- If you do A and B, then God will do C.  (Check out Larry Crabbe's book on people who walk out the law of linearity).  But God laughs at us.  I believe He's more interested in the process than the result... the journey rather than the destination.

Now I write reviews for fellow filmmakers and I attempt to be accurate, not cruel, pointing out the nice things as well as the things that can be improved.  As my mentor recently said-- I welcome examination, for if I'm correct, then I'm that much more resolute, and if I'm incorrect, it's a great opportunity to improve.  There is no bad with examination... only good.

TeaCupping is Wrong

And so is pointing the gun at the ceiling.  Throughout the seventies and eighties, television and film were totally unconcerned about any kind of weapons realism in cinema.  But that has been changing.  Dramatically.  Shows like "The Unit" spend painstaking amount of time and training to make sure the actors are holding and handling the weapons accurately.

The move is on towards accuracy.  And if you, an actor, go into an audition or on the set and grab the pistol and teacup it, don't be surprised if they laugh at you.  Or roll their eyes.  If you insist on a shoulder holster, I hope you're character is extremely old school.  They just don't do that today.  And when you're about to turn the corner, why are you pointing at the sky with that handgun?  The police and the military do not train that way-- only fake actors do it that way.  And they do it because they saw it on television in the seventies.

At the Screenfighting & SFX for Actors Workshop on Dec 4, Weapons Master and Specialist Doug Williams will be joining Stunt Coordinator Scott Roland and SFX Coordinator Steve Krieger and will show you the right way to hold a gun and handle it like a professional.  Doug has been trained at FBI courses as well as some of the best military training ranges in the country.  And he's been weapons master on several feature films.  He knows guns.

Doug and I took some actors to Frontsight in Las Vegas for some training a couple years ago.  It was great stuff.  I myself have done some extensive firearm training and now insist on realism in my movies.

Want to know what TeaCupping is?  Come to the Seminar to avoid this embarrassing on-set mistake!  Register for the Saturday, Dec 4 Workshop at http://www.s-films.com/pov .

True Revolt

In times of universal deceit, telling the truth will be a revolutionary act.
- George Orwell

I know of a self-proclaimed poet/revolutionary type.  His pretentiousness is astounding... his narcissism severe.  Yet his gift is without repentance from the Giver of all things and the double-minded (James 1) are pulled into his trap.

In my ownself, I have discovered that evil isn't a destination, but a direction.  It's not something that's far off, and I have to work to get there.  It's a simple choice made every day.

Jeremiah writes that the heart is deceitful above all else, who can know it...  So in my own life, deceit is universal.  In yours too.  You see, since the fall, deceit has ruled from the heart of all men.  Opposite of the Humanist, I believe that we are all narcissists underneath-- lions feeding on whoever's next to us so that we can survive and thrive.

So for the person who discovers the Truth?  He is a revolutionary.  And most people, even many of those proclaiming to be "christians" will consider this person to be "revolting."  (Double entendre intended).  As an individual pursues Truth (Jesus says He is the Truth), he will become lonelier.  Although being a revolutionary is hip and cool in many pretentious circles, few have the guts to actually be one.  You see, they revolt against truth in favor of deceit.

The poet mentioned above is a great example of this.  He considers himself a revolutionary-- railing against the church and the establishment.  All the while embracing different costumes and masquerades that enable him to pursue his own selfish agenda.


So I end with another quote-- this one by Brennan Manning.

"When I was eight," confesses Brennan Manning, "the impostor, or false self, was born as a defense against pain. The impostor within whispered, 'Brennan, don't ever be your real self anymore because nobody likes you as you are. Invent a new self that everybody will admire and nobody will know.'" Notice the key phrase: "as a defense against pain," as a way of saving himself. The impostor is our plan for salvation…

Advice to New Directors

To all you who want to direct your own movie:

• Try to focus on just the job of Director. This means it will be harder and the directing will suffer if you are the actor or producer as well. This doesn't apply to jobs that don't really run concurrently like writing (or even editing, but see note below).
• You are going to make first-timer mistakes. The movie can't afford too many of these, so don't hire other first-timers in key positions.
• You will need people you trust to advise you on not making too many first-timer mistakes. But your insecurity will try and stop you from taking the advice. Or listening to those with more experience.
• Cast every position like it's the lead. Don't give in to your insecurity by giving out roles so people will like you or think you're such a nice guy.
• Don't be the editor too. Most director's cannot "kill their children." Which means you love scenes that don't move the story and lose any kind of objective storytelling sense.
• Know your goal-- do you want a calling card for bigger/greater things? Or do you want this movie to find distribution and make money? Because it's a totally different strategy for each of those end games.
• Study, research, learn. When I meet a person who wants to direct, I meet someone who has read many, many books, seen many, many films, and listened to many, many commentaries. And they've also shot some shorts. You say you want to direct but haven't done any of these things? Then I say you really don't want to direct.
• Learn how to communicate.  Know the basics of the communication model (sender/receiver/medium/filters).
• Learn some psychology.  (Get the DSM).

Anyway... just some random advice for you up and coming directors.

Screenfigting and SFX for Actors

I can still remember the first day I met "the Twins." We were at our production offices off Harry Hines in Dallas, gearing up for my first movie "The Keyman." We were having our first big production meeting and Susan Kirr, the UPM, introduced me to these two guys. They weren't identical, except in good solid character. I instantly liked them.

The Twins are Scott Roland and Steve Krieger. They're called that in the industry because they're usually inseparable. Best friends, they share a common bond of integrity and passion for making movies.

Steve Krieger is a Special Effects Supervisor. This means that is it burns up, blows up, explodes, or some other cinematic on screen trickery-- Steve's your man. Scott Roland is a Stunt Coordinator. He makes sure any stunts in the movie come off safely and effectively.

On one of my early movies, I learned that if I'm going to cast someone in a role that will need to throw a punch, I need to audition them doing that. It looks easy to fight on screen simply because the pros make it look easy. But sometimes, in my movies, I need an everyday actor to be able to throw a punch or take a punch. Or handle weapons like they know what they're doing. And, be able to act in the face of some expensive SFX shot.

So, I talked to the Twins, and we set a date for a workshop to help actors. On Dec 4th, we're going to teach "Screenfighting and SFX for Actors." It's only $49 and we're going to squib one or two lucky ones up in the afternoon. Register at www.s-films.com/pov .

We have to have a minimum number of attendees, so sign up asap if you plan on coming. One disclaimer-- this is not to teach actors how to be stuntmen.

It's All About Relationships

My movie is soooo important to God's kingdom. My song can change people's lives. My ministry will reach hundreds of thousands. Any of this sound familiar? If it does, you've bought into the Narcissists Gospel. (I know I do when I walk in my flesh).

In the beginning God... He created man and woman. The big deal for Him was walking in the garden with them. Relating. Relationship. It's not so much what you do. Whether you're the pastor of a mega church, or the hottest name in Christian music. Or the janitor. God's much more interested in your relationships than your work.

He asks His followers to make disciples. That's all about relationship. (Which is anathema to modern day evangelism-- which puts the emphasis on numbers not relationship).

I've said it before-- God can make a sunset that can reach down and touch the heart of man much more than any film I make. It's just a movie. It has no power to save anybody or anything. Sure, it can be a great tool, but let's not take our work so seriously.

Instead, I'm turning my mindset to these concentric circles: My relationship with God. My relationship with my family. My relationship with others.

Missionary Dating Movies

As I've watched a bunch of "christian" movies lately, one theme that I'm a little concerned about is basically this-- the "protagonist" in the story is messed up. He will come to Jesus by end of movie. And helping him along the way is his "Christian" girlfriend.

I haven't just described one movie. I'm looking at a stack of 5 movies and 3 of them have this plot device. My thirteen year old boy was watching with me on one of them and I really became conscious of what we're preaching here.

Back in my day in youth group, this was called "missionary dating." The term describes the Christian who dates a non-believer in the hopes of converting him. Usually, this is total farce and full on hypocrisy-- because really, the Christian simply wants that person and justifies the "unequally yoked" principle by introduce the mission purpose.

And as the youth leader said back then, it hasn't changed-- missionary dating is dangerous and doesn't work. It's wrong and dysfunctional. But now, all of a sudden, our "christian" burgeoning pop culture is reintroducing the idea-- showing that "see sweetie, you can date that heathen and he'll come around. Quick! Go plant him a big one on the lips and get him to the Kingdom!"

Now as a screenwriter, I understand the predicament. You have a man who is going on a journey of faith. (Or to Faith). You need a female lead. Voila, the die is cast. I challenge you Believers that are going to make movies-- don't introduce dangerous theology just so that your main message can work better as a plot device. I challenge you to find creative solutions that avoid error and enhance your plot. You work for the Giver of all creativity anyway. Why not reflect Him?

High Infidelity

In the movie "The Imposter," our hero, top Christian band singer Johnny C has committed adultery. This is in addition to all the other sins... like substance abuse. Recently, I learned about another Christian band who it has been alleged that he's been in an adulterous affair for several years.

What's funny is that in researching it (and I'll tell you why I'm researching in a moment), the blogs and boards are roaring with "c'mon people, show him some grace and forgiveness!! He needs love, not stoning." While I totally agree he needs love, I would want to revisit the definition of that word. Remember, seeking the other's highest good is what love is.

Anyway, infidelity in the church is not something talked much about, except when the scandal hits. Yet, in talking with my mentor, psychologist Dr. Mike Riggins, infidelity is "epidemic in the church" in his words. This came about when I asked him what are hot issues these days in the people he counsels and in the church. He didn't hesitate.

What's more interesting is a study he did awhile back. His theory going in was that infidelity is extremely similar to death. The victim of infidelity goes through the Stages of Grief, just like losing someone to death. His conclusion was surprising-- it is longer and harder to get through the Stages of Grief in marriage infidelity than in the death of a loved one.

Wow. I suppose that with death, there's some sense of closure. But for unfaithfulness, there isn't.

Yes, Adultery is a sin. A horrific sin. The Church knows this. But what's next for the person who commits it?

I do believe that leaders in the church have a higher standard. You want that stage and want that pulpit-- the mantle of leadership. Well guess what, I can back up with scripture how with greater leadership comes greater responsibility.

So should the spouse take the adultery back? Isn't that the "Christian" way? Love, forgiveness, grace.. all that.

When adultery occurs, the marriage is over. For their to be reconciliation, a new marriage has to be built.

So why am I researching this? Maybe it's the next script that I write. Maybe.

Man put in jail for showing Christian films

Man put in jail for showing Christian films

Very interesting article. I am curious what Christian films he was showing.

Some Random Filmmaking/Ego Thoughts

Lessons learned lately. I am not the Giver. I can be a giver, but then I can not walk in relationship with the Giver. I am not the light source. The Giver is the light source. I can only reflect. I am the moon. He is the Sun.

When I walk in my narcissistic flesh, my sphere is the mostest. My ministry is more special than yours. My movies are a mission from God, so step back and give me space to work. This mission is critical for the Kingdom. Without me, how can God reach all those people? Without my film, where I'll graciously channel His message, how can He speak to them?

Sounds silly written out. I see it in myself. And I see it in other Christian filmmakers. "My film is sooooo important." Hate to break this to you, but He can make a sunset that can touch men's heart more than anything you create. Your mission is no more important than the person next to you. Which might be the janitor.

I will not speak for you. From my experience in this movie-making-magic industry, reality is a slippery pig. And it squeels and runs away when people treat me like god on a set. Just writing honestly for a moment. And you want this? You want an entourage? I did. But not any more. I'd be content to be a farmer, working with my hands.

The work doesn't matter. God's more interested in my character building processes than some movie. It's a film for goodness sake-- it's not going to save anybody. So the pressure's off. Now to just be obedient.

Movie Review - Rust

I remember a year or two ago (maybe more), I was sitting in a fastfood restaurant reading the news paper. There was a really interesting article about a guy who was using the internet as a gimmick (big surprise there). His idea was brilliant-- start with a paperclip, trade up until he's got a house.

And he did it. He traded this for that. Eventually, I remember some Hollywood actor getting involved-- trading a role in a movie. And voila, this original guy gets his house.

Now flash forward. I get sent the faith-based movie "Rust." And I find out, that this is the movie that was part of that internet trading up gimmick. I think that's pretty cool.

Corbin Bernsen (not a "Believer" in the sense that most evangelicals define it, based on reading some of his interviews on the web), wrote a movie that he wanted to explore the issues of faith for a clergyman returning to his small home town. The movie really reminded me a lot of Robert Duvall's "The Apostle."

Rust is the story of a man walking away from the clergy and going back home. There he picks up pieces of relationships he left behind many years ago, including his father, friends, and family members. But one friend is missing-- he's gone crazy and is in jail for burning down a farmhouse with the beloved family inside it. The facts don't all add up and in between seeking for his faith, James Moore (Corbin Bernsen) goes digging deeper into this mystery.

I'm not sure where the title came from-- there was one quick reference to rust, but I didn't see the connection. I'm guessing it's because Moore's is "rusty" from being away from home? Has let "rust" set in to his life as a man of God? But that's all okay. See, made me think. And that's always good.

What is really unique here, is the flavor that writer/director Bernsen brought to the film. Other than himself as the lead, he cast the entire movie from a small town up north (which was part of the contest). I've used non-professional actors and it can be extremely tough. But Bernsen proves to be a pro here. However he did it, he directed these townspeople to really strong performances. Bernsen makes it look easy.

The movie is rich visually, and the story is engaging. The performances, based on where they came from, are nothing short of amazing. And because Bernsen pulls off the use of the town, the voice and feel of the movie is extremely unique and different.

I'm afraid to praise this movie too much-- many young filmmakers will bypass solid actors because "see you can use non-professionals and make a strong movie." For the filmmaking community, I wish Bernsen had put on the back of the box-- "this was done by a professional-- do not try this at home."

At the end of the day, I recommend this movie. It's thought-provoking and certainly not given to cliches and other formulaic problems of faith-based filmmaking.

Christian Filmmaking Thoughts

I've written a lot about the comparison of Christian films today to Christian music of thirty years ago. When Christian contemporary music (CCM) was born in the late sixties and early seventies, you had a lot of passionate artists (and some more passionate than art skills). But what you didn't see at that infant stage was a preponderance of non-believers in the industry.

That quickly changed as people realized there wuz gold in them thar hills. It's not uncommon today to have non-believers posing as Christian in the music biz. I was in talks a few years ago to work with a "Christian" band in a movie of mine. After spending a couple of days with them and the management team, I was told the story how the manager brought them together-- how he wanted to get another band going and the "Christian" music scene would be the easiest ladder to climb. This was a band that won dove awards.

I've seen Hollywood actors (avowed non-believers) get cast in a Christian film. Then they'll play the role, speaking on Christian tv, being interviewed for Christian media, espousing a "Christian" message. And the Christian audience is eating it up.

But for the frontmen-- the people on camera, I think the culture that CCM has created will permeate here too-- to be the face (like the voice for CCM) of Christian movies, you'll probably have to walk the talk (or talk the talk as some pretenders will).

As this Christian film industry infant grows up, it will become populated by more and more "pretenders." And behind the lens, you probably won't be aware of the pretenders, just like CCM-- the business side of the music industry.

For those purest Christian filmmakers who only drink milk from a Christian cow and only crew your movie with "Christians", you're going to have to deal with some problems. But of course, I think those type of "Christian" filmmakers are fooling themselves. I bet you money, that some of those purporting to be "Christians" are in fact anything but. I'd rather have someone hot or cold than lukewarm anyway.

Rising Stars Extended

I'm thrilled to announce that Rising Stars is being extended a week in Tulsa and Grand Rapids. This is a great chance for the movie to grow legs. If you know anyone in those cities, ask them to go see it!

We're also looking at bringing it to the DFW area. More details on that to come.

Thanks for your support everyone!

News Release for Rising Stars

ASSIST News Service (ANS) - PO Box 609, Lake Forest, CA 92609-0609 USA
Visit our web site at: www.assistnews.net -- E-mail: assistnews@aol.com

Thursday, October 21, 2010

Rising Stars
Inspirational film shines a new light on the high-profile world of musical talent contests

By Dan Wooding
Exclusive for ASSIST News Service NEW YORK CITY, NY (ANS) -- In our modern, fame-obsessed voyeuristic culture, high-profile “talent contests” have spawned big television ratings and several new franchise industries. But at what price to those contestants involved?

An advert for the new movie

“One of the afflictions of our current society is the pressure to perform placed on children. This can rob them of their childhood, resulting in them growing into dysfunctional adults,” states Daniel Millican, the writer/director of a new film, “Rising Stars” which releases this month in theatres and deals with the issue of a high-pressure, high-profile television talent contest. “I wanted to tell a story that could combat the competitive pressures placed on adolescents and post-adolescents. I wanted to tell a story where they teamed up to create, not set apart to destroy each other. My goal when I sat down to conceive this story was to create a movie that would entertain and at the same time give a positive message - God created you to be the person you were meant to be, to fulfill his dream for you, not the image of what the world says you should be.”
 

Writer/Director Daniel Millican

Billed as “a family musical with heart”, "Rising Stars" explores the sacrifices that come with fame in reality television-obsessed culture. Challenged with creating songs and music videos, three musical acts find more than their futures on the line when the competition gets fierce and their lives are caught on tape broadcast to the nation. Egos clash and worlds collide as these teens find how far they will go to win the coveted prize and achieve stardom. To give “Rising Stars” an entertaining edge and the feel of a real talent competition, Millican recruited some of the hottest young performers today, from the stage, screen and music worlds. They include Graham Patrick Martin (The Girl Next Door, Two and a Half Men, The Bill Engvall Show, iCarly, Jonas), Kyle Riabko (90210, Limelight, The National Tour of Spring Awakening, The Broadway Production of Hair), Leon Thomas III (August Rush, Victorious, iCarly) and Jessie Payo, a former member of pop duo Jupiter Rising whose music has been featured on MTV’s The Hills and The City. Jessie's hit song with Jupiter Rising; “Electropop” was one of the popular songs ever on MySpace, receiving over four million plays.
They are joined by veteran actors, Fisher Stevens (The Flamingo Kid, Short Circuit, Hackers, Awake), Barry Corbin (WarGames, Urban Cowboy, No Country For Old Men) and Catherine Mary Stewart (Weekend at Bernie’s, The Girl Next Door) and a dramatic performance by Grammy Award-winning and multi-platinum-selling Contemporary Christian recording artist, Rebecca St. James.
 

A scene from the film, Rising Stars ©2010 Screen Media Films

A recent study by Penn State University showed that the effects of high-stake public competitions can often have lasting debilitating effects on young people.... in particular, those individuals who give their best efforts after years of practice and performing...but still do not win the coveted ‘prize’. High-profile “talent contest” programming, have become in the end, glorified popularity contests. The participants are expected to rise to an unrealistic goal that causes them to pursue a tentative ideal and not the overall betterment of themselves. In most cases, the research shows, this high-stress competition most-often leaves young people with a lower self-worth of themselves than they had before the competition. In a competitive society, it is easy to assume that competition will build a strong sense of self. Noted behavioral researchers, David and Roger Johnson concluded in an extensive study on the effects of competition on young adults and children, that cooperative learning/teamwork situations, compared with competitive and individualistic situations, promote higher levels of self- esteem and healthier processes for deriving conclusions about one’s self-worth.
They indicate that “cooperativeness” is related to emotional maturity, well-adjusted social relations, a strong personal identity, and a basic trust in and optimism about other people. That is the message of “Rising Stars”.
Director, Daniel Millican is no stranger to exploring complex ethical and moral themes in his films. Following a successful career in commercials and music videos, Millican made the leap to features in 2000. With his first film, the critically-acclaimed, The Keyman: Finding Redemption, Millican explored the issues of regret and abandonment on and the destructive power of unforgiveness. Next came A Promise Kept, a look at the compromises often found in today’s cutthroat corporate environment and The Imposter, a modern day interpretation of the Parable of the Prodigal Son.
“Romans 12 says, “‘And let not your behavior be like that of this world, but be changed and made new in mind, so that by experience you may have knowledge of the good and pleasing and complete purpose of God’” asserts, Millican. I wanted to make a film that shows the joy and the possibilities of being the person you were created to be”.
For more information, go to: http://www.risingstarsthemovie.com/

---

Dan Wooding, 69, is an award winning British journalist now living in Southern California with his wife Norma, to whom he has been married for 46 years. He is the founder and international director of ASSIST (Aid to Special Saints in Strategic Times) and the ASSIST News Service (ANS). He was, for ten years, a commentator, on the UPI Radio Network in Washington, DC., and now hosts the weekly “Front Page Radio” show on KWVE in Southern California and which is also carried on the Calvary Radio Network throughout the United States. The program is also aired in Great Britain on Calvary Chapel Radio UK. Wooding is also a regular contributor to The Weekend Stand on the Crawford Broadcasting Network, and a host for His Channel Live, which is carried via the Internet to some 192 countries. He is the author of some 44 books. Two of the latest include his autobiography, “From Tabloid to Truth”, which is published by Theatron Books. To order a copy, press this link. Wooding, who was born in Nigeria of British missionary parents, has also recently released his first novel “Red Dagger” which is available here

Election Night

I'm no politician, but I'm starting to have a better understanding for election eve and the actual election day.  The work has been done.  There's not a whole lot that he can do.  The ballots are what they're going to be.

So tomorrow, after four feature films, this fifth one is getting a real theatrical release.  It's been a real learning experience listening in our weekly teleconferences on all the things that go into it.  You've got viral marketing people, publicity, theaters and of course the distributor.  Tomorrow, we'll see how people respond.  Will they go and buy tickets in Nashville, Tulsa and Grand Rapids?  If they do, then we roll out bigger.  If they don't, it will be a short lived theatrical and we'll see how DVD does.

The trick here is time.  The stakes are high-- the distributor is putting out a lot of money.  So their patience won't be long.  This is standard in the industry.  Take the tv show shot in Dallas "Lone Star."  Critically acclaimed, but the network didn't give it much chance after the first two episodes failed to get the numbers.  Had they stuck with it, Lone Star could have done well.  But the stakes are just too high for network executives to gamble.

For instance, Arrested Development was critically acclaimed.  But like Lone Star, the numbers weren't there.  The network was going to cancel after one season but stuck with.  And then a third season.  But it never found a strong audience.

I think "Rising Stars" will have a good audience.  It's a very entertaining movie with a strong message about the dangers of competition.  The Survivor-generation is learning all about "me-first" social politics-- where to get ahead you have to beat your competition.  Rising Stars sends the message that you have a choice-- you can destroy in a dog-eat-dog manner, or you can come together and create.

So tomorrow, the ballots will be cast and on through the weekend.  There will be a conference call on Monday to see where the numbers are.  And based on that, the movie's release will grow hopefully. 

One last ditch appeal to voters-- if you know anyone in Nashville, Grand Rapids or Tulsa-- please tell them to go see Rising Stars this weekend.  Don't wait.

Click on these links for the info for each city:
Nashville
Tulsa
Grand Rapids

Support

Recently I was speaking at a meeting of Christians in media.  The room probably had 100 to 150 people in it.  I asked how many had already purchased The Imposter, thinking that a couple would raise their hands and I'd hand out a couple CD soundtracks.  What I didn't expect was no hands raised.

Now, I'm not necessarily pushing just for Imposter, but as a whole, we indie filmmakers need your help.  If you absolutely disagree or don't like the premise, then fine.  But as the Geiko gecko keeps asking, what's stopping the rest of you?

We need your help.  The best way is to go down to the local Christian bookstore and snap up the copy of Imposter on the shelves.  Or order from an online source like our friends at ChristianCinema.com. For us to be able to make more and better Christian movies, we need everyone to get their own copy.

So I'm asking-- can you go and purchase a DVD of The Imposter?  They also make great gifts-- the holidays aren't that far away.  Buy a couple to give away.  It has a great message of taking off the masks and masquerades we Christians wear.

Another way to help would be to talk to your pastor about screening the movie at your church.  But don't just buy the home DVD-- license the movie for public exhibition.  PureFlix has set up a great way to do this-- go here to the website, and they even have a way for the pastor to watch the movie first.

We need your help.  Please support indie films and please support The Imposter.